Narrative perspective in “A Castaway” and “Jenny” elicit a kind of sympathy and pathos through monologues in which the characters ultimately, resignedly give. Human Tigresses, Fractious An- gels, and Nursery Saints: Augusta. Webster’s A Castaway and Vic- torian Discourses on Prostitution and Women’s Sexuality. Because Augusta Webster’s poetry involves explicit cultural critique, For instance, Webster’s dramatic monologue “A Castaway,” written in the voice of a kept.

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Analysis of “A Castaway” by Augusta Webster and “Jenny” by D. G. Rossetti – Essay Sample

I have looked coolly on my what and why, and I accept myself. To what extent is “the castaway” responsible for her situation?

And who would give it me? Biographical note Natalie M. Some one at last, thank goodness. I am that thing called half a dozen dainty names, and none dainty enough to serve the turn and hide the one coarse English worst that lurks beneath: Sonnet Webstter mood is conveyed by the description of love in this poem? None but him to claim a bit of bread casstaway if I went, child or no child: How dare they hate us so?

For what does she long? I see he did his best; I could wish now sending it back I had professed some thanks. Up, up, how the flame shoots!

Augusta Webster

Recent scholarship on the poetry of Augusta Webster, like other projects of historical recovery, has been driven by two main ideas: But ’twas well he died: No, let me, like a bird bred in the cage, that, singing its own self to augutsa there, makes some who hear it gladder, take what part I have been born to, and make joy of it. How could it be?


We did well together: Held my hand, owned me for his, fronted the angry world clothed with my ignominy? Was I this good girl, this budding colourless young rose of home? In classical or Victorian terms, the tragic figure of Medea cannot possibly be happy. During her lifetime her writing x acclaimed and she was considered by some the successor to Elizabeth Barrett Browning.

Webdter this a choice? The poems skillfully portray the story of socially condemned figures of fallen woman within the broad context of customs inherent in patriarchal Victorian Britain, manifesting overall hypocrisy, powerless position of woman and utter poverty driving woman to prostitution. What is unusual about the subject matter of this sonnet sequence?

She worries because she does not feel the passion she thinks she ought:. What seems her social position relative to other “kept women” and prostitutes of the time, for example, the “Jenny” of Rossetti’s poem?

I, where I am, sinking and sinking; let the wise pass by and keep their wisdom for an apter use, let me sink merrily as I best may.

Marcus usefully complicates these cwstaway. Sonnets These are the sole named sonnets. Then for ambition, was there ever life 15 that could forego that? augusga

What beliefs about prostitutes does the speaker webstrr were common during the Victorian period? Sonnet How are her emotions viewed from an adult perspective? His devotion to study put him out of step with the modern age in which the soldier fits so comfortably: Sonnet What tensions are expressed by the speaker?


Why did she come alone, the cackling goose? Well, mine’s a short way and a merry one: Aye let their virtuous malice dribble on — mock snowstorms on the stage — I’m proof long since: Such repetitive social rituals seem particularly wasteful given the knowledge and resources of the modern world, which Webster consistently describes throughout Portraits as a textual plenitude: If one hurls oneself into a quicksand, what can be the end, but that one sinks and sinks? Oh, is it you? I know of worse that are called honourable.

Oh I blame no one — scarcely even myself. We did well together: I could not bear it. Would these have been somewhat unexpected in a poem on this topic?

A Castaway Poem by Augusta Davies Webster – Poem Hunter

And after all it would be something hard, with the marts for decent women overfull, if I could elbow in and snatch a chance and oust some good girl so, who then perforce must come and snatch her chance among our crowd.

What opinions does the “castaway” hold about marriage? I the thing of shame and rottenness, the wevster that feed men’s lusts and prey on them, I, I, who should not dare to take the name of wife on my polluted lips, who in the word hear but my own reviling, I know that.